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Chicago cabaret focused intensely on the larger band ensembles and reached its peak during Roaring Twenties , under the Prohibition Era , where it was featured in the speakeasies and steakhouses.

New York cabaret never developed to feature a great deal of social commentary. Julius Monk 's annual revues established the standard for New York cabaret during the late s and '60s.

Cabaret in the United States began to decline in the s, due to the rising popularity of rock concert shows, television variety shows , [ citation needed ] and general comedy theaters.

However, it remained in some Las Vegas-style dinner shows, such as the Tropicana , with fewer comedy segments. The art form still survives in various musical formats, as well as in the stand-up comedy format, and in popular drag show performances.

The late 20th and early 21st century saw a revival of American cabaret, particularly in New Orleans , Chicago , Seattle , Portland , Philadelphia , Orlando , Tulsa , Asheville, North Carolina , and Kansas City, Missouri , as new generations of performers reinterpret the old forms in both music and theater.

Many contemporary cabaret groups in the United States and elsewhere feature a combination of original music, burlesque and political satire.

In New York City, since , successful, enduring or innovative cabaret acts have been honored by the annual Bistro Awards. She intended her club to be an avant-garde meeting place for bohemian writers and artists, with decorations by Jacob Epstein , Eric Gill and Wyndham Lewis , but it rapidly came to be seen as an amusing place for high society and went bankrupt in The Cave was nevertheless an influential venture, which introduced the concept of cabaret to London.

It provided a model for the generation of nightclubs that came after it. The Cabaret Club was the first club where members were expected to appear in evening clothes.

The Cabaret Club began a system of vouchers which friends of members could use to obtain admission to the club. That was the night a certain Duke was got out by way of the kitchen lift.

The visitation was a well-mannered affair' [22]. It retained the intimate atmosphere, entertainment platform, and improvisational character of the French cabaret but developed its own characteristic gallows humour.

By the late s the German cabaret gradually had come to feature mildly risque musical entertainment for the middle-class man, as well as biting political and social satire.

It was also a centre for underground political and literary movements. From Wikipedia, the free encyclopedia. For other uses, see Cabaret disambiguation.

Main article: Kabarett. See also: Category:Polish cabarets. We provide training and mentoring to new dancers and help you to get the confidence you need to make money with the best of the them.

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There are many Japanese fictional works, such as TV dramas , novels, video games , manga and anime adaptations which revolve around hostesses or host clubs, such as Club 9 , Bloodhound , and the more light-hearted Ouran High School Host Club.

These works reaching a general audience shown how accepted the clubs have become in general society. This even extends to non-Japanese fiction, for example with the crime novel Tokyo , by British author Mo Hayder , which has as its main character a British hostess starting out in the industry.

The adventure video game series Yakuza allows the player to attend hostess clubs, and its sequel and prequel both have side-quests that allow the main character to become a host himself or manage a hostess club, gaining dominance in the area and hiring new talent.

Rosa Kato starred in TV Asahi 's Japanese drama called Jotei in which she played a poor high school drop out who is compelled to succeed in the hostess business and become the number one hostess in Tokyo after her mother passes away to undiagnosed cancer.

The film Stratosphere Girl follows a young Belgian woman joining a Tokyo hostess club and trying to solve the mystery of a missing Russian hostess.

A South Korean live-action film, Beastie Boys , is about two young men, Seung-woo and Jae-hyun, who serve as hosts or male escorts for a discreet private women's club in a posh district of Seoul.

Hiro Mashima 's manga Fairy Tail features a guild called "Blue Pegasus" which acts as a host club to both male and female patrons. Koakuma Ageha was known as an unconventional fashion magazine modeled by real hostesses, and it was one of the highest-selling fashion magazines in Japan.

In the book Nightwork: Sexuality, Pleasure, and Corporate Masculinity in a Tokyo Hostess Club , anthropologist Anne Allison , informed by her own work in the mids as a hostess in a Japanese bar, describes hostess bars as providing an atmosphere where masculinity is "collectively realized and ritualized.

The documentary Shinjuku Boys by Kim Longinotto describes a Tokyo host club in Shinjuku staffed exclusively by female-to-male crossdressers.

Tokyo Girls is a documentary in which four Canadian women share their experiences working as hostesses in Japan. KTVs are a source of interactive musical entertainment through the utilization of a karaoke bar by which words appear on a large interactive television.

It is important to distinguish the difference in desirable environments for individuals of different age groups within the KTV.

Individuals within their early thirties to late forties typically prefer the exclusive, private realms of rented rooms rather than the stereotypical open dance floor disco environment.

KTVs are usually encountered within East Asia nations and are a principal location for Chinese business ethics. Chinese businessmen use various hostesses as a means of persuading the businessmen and as an outlet to earn favors in the future.

This mentality is carried with many Chinese businessmen and has become the common perception on business for many of the Chinese men. These hostesses serve to please the client and allow the client to feel satisfied and trustworthy while present at the KTV.

The Chinese businessmen that visit the KTV maintain a main and sentimental priority of establishing connections within their respective companies.

Hostesses internally degrade their personal and " moral appearance " in order to satisfy a sentiment of masculine pleasure. These implications directly integrate into the creation of hegemonic masculinity for the business world.

This correlates to the value of male dominance throughout the business world and enhances the principle of hyper-masculinity which decreases diversity for Chinese ethics.

This also leads to gender inequality for women not only in the KTVs, but more generally throughout many realms of life in China. This may entail the loss of moral code and ethics for the women in the KTV.

These bars and clubs proclaim that they are not a front for prostitution, yet it appears that these acts are the mere start of something much more serious, which may include aspects of prostitution as it is traditionally thought of in Western culture.

Hierarchy systems of power generally will lead to gender discrimination throughout the future and add to the already existing gap of gender implications in China.

Guanxi also maintains the business order for the owners of the KTV by creating a workplace that is managed by a hierarchical power system where again hyper-masculinity is fully engaged in the men's favor.

KTVs are a typical location for Chinese business practices by which the businessmen attempt to formulate connections and loyalty amongst other various businessmen.

The businessmen will try to establish a comfortable setting by providing fruit plates , women, or alcoholic drinks. Mass alcohol consumption has very negative effects on the bodies of these individuals that frequently visit KTVs.